Saturn was that kid, and once Caelus was out of the picture, Saturn took over as the new king of the gods, at least until his kid, Jupiter, overthrew him. Iapetus is also a really cool looking half-black, half-white moon of Saturn. She birthed Caelus, and then slept with him to make a bunch of monsters , including fifty-headed, hundred-armed giants, and cyclopses. Caelus hated them, so he buried them in the Earth, but since Terra was the earth, they were actually buried in her, which hurt, so she conspired with their next kids, the Titans, to kill Caelus by chopping off his penis.
To the curious examples of popular etymology collected by various learned authors, we might add a large number of cases bearing specially on hagiography. We must, however, restrict ourselves to a few cursory indications. The apparent complexity of certain legends and the startling effect of certain combinations which appear highly ingenious must not deceive us, and we must not hastily draw conclusions in favour of the creative faculty of popular genius.
In the eighteenth, having reposed for a long time at the Court of Louis XIV., it seizes again the old sword of Luther, puts it into the hand of Voltaire, and rushes impetuously to the attack of that ancient Europe, whose architectural expression it has already killed. At the moment when the eighteenth century comes to an end, it has destroyed everything. Behold how, beginning with the discovery of printing, architecture withers away little by little, becomes lifeless and bare. How one feels the water sinking, the sap departing, the thought of the times and of the people withdrawing from it!
The knife was approaching his head; the moment was critical. All at once, his adversary seemed stricken with hesitation. He knew where to find the key to the red door, which connected the cloister with the church, and he always had about him, as the reader knows, the key of the staircase leading to the towers. As soon as he learned that the gypsy was alive, the cold ideas of spectre and tomb which had persecuted him for a whole day vanished, and the flesh returned to goad him.
EROS & THE LOVES OF THE GODS
This page of Plutarch might be adapted, with but few alterations, to more than one medieval translation of relics. “For this tomb placed beneath the altar is considered to be a very rare thing. But he who desires to pray, opening the grating with which the spot is enclosed, comes right over the tomb, and when the little orifice is exposed to view, inserting his head he makes such petitions as his needs suggest.” The editors of volumes of miracles have freely availed themselves of both borrowing and adaptation, and it will only be after a thorough inquiry into the sources from which these miracle books are derived that they can be made use of as historical documents. As far as investigations have gone at present, it is impossible to ascertain what really belongs to them, and it is consequently only with prudent reservations that they can be quoted in evidence of the custom we are discussing. Tillemont was not the first person to be scandalised, and editors of the Menaea felt they could not admit the narrative in question without notable modifications. The fundamental idea of this imaginary miracle, putting aside the burlesque treatment, is anything but Christian.
The fact is greatly to be deplored wherever it occurred. Yet was it not the outcome of a natural evolution, and is it not likely to occur wherever hagiographic documents are accepted in an uncritical spirit? In point of fact it is quite unjust on such occasions to blame the hagiographer, and he might well reproach us in our turn. We should first ascertain what he intended to produce, and judge him only from his own standpoint. These excesses lead us to speak of the passions to which the popular mind is liable, passions intense and unrestrained, and impressing everything they touch with that element of exaggeration and even of violence of which so many legends have preserved the trace. The populace can only be moved by strong emotions, and it has no idea of keeping its feelings under control.
Or Mephitis, goddess and personification of poisonous gases and volcanic vapours. Goddess of horses and horsemanship, free hookup affair how to message someone on usually assumed to be of Celtic origin. Or Panda, a goddess whose temple never closed to those in need.
Dante in the thirteenth century is the last Romanesque church; Shakespeare in the sixteenth, the last Gothic cathedral. The general characteristics of all theocratic architecture are immutability, horror of progress, the preservation of traditional lines, the consecration of the primitive types, the constant bending of all the forms of men and of nature to the incomprehensible caprices of the symbol. These are dark books, which the initiated alone understand how to decipher. Moreover, every form, every deformity even, has there a sense which renders it inviolable. Do not ask of Hindoo, Egyptian, Romanesque masonry to reform their design, or to improve their statuary. Every attempt at perfecting is an impiety to them.
Its entrance was guarded by a force of halberdiers with the armorial bearings of the bishop. The large doors of the church were closed, and formed a contrast with the innumerable windows on the Place, which, open to their very gables, allowed a view of thousands of heads heaped up almost like the piles of bullets in a park of artillery. The laughing group of children was already far away. The sacked nun sought with her eyes some passer-by whom she might question. All at once, beside her cell, she perceived a priest making a pretext of reading the public breviary, but who was much less occupied with the “lectern of latticed iron,” than with the gallows, toward which he cast a fierce and gloomy glance from time to time. She recognized monsieur the archdeacon of Josas, a holy man.
We shall therefore occupy ourselves almost exclusively with this class of compositions. It will be easy to extend to other writings what we shall have to say about these. For we must not expect of people in the aggregate either keen intelligence or an enlightened morality. Taken collectively they are wholly devoid of that sense of responsibility which causes an individual to hesitate before a dishonest or irregular action. They have no scruples, and as everybody relies on his neighbour to examine the validity of the evidence brought forward, nothing is more easy in dealing with a crowd than to strike the chord of patriotism, vanity or self-interest.
But by night he was deprived of his most formidable weapon, his ugliness. This little pout had furnished Gringoire with food for thought. There was certainly both disdain and mockery in that graceful grimace.